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Tuesday, 14 August 2012

28 Reasons Why LA's Abbot Kinney Rocks

70's California Shop
Here are 28 reasons to fall in love with Abbot Kinney Avenue between Venice Beach Blvd. and Westminster. From rad surf shops to sustainable eateries. From dark watering holes to al fresco beaneries. From Jack Spade to Japanese Garden Spades. Here's a half-a-mile of retail therapy worth the
visit.
Farm-to-Table Counters
Tucked Away Happy Hour Spots
Onitsuka Tiger Displays

Tempting Shops

Open Doors
Old School Bar
Tempting Colors
Garden of Eden
Eye-Popping Buildings
High End Gourmet
Not your ordinary Men's Shop
Colorful Bike Options
Cafe Society
Liquor Hideaways
Al Fresco Dining
Brick Art
Outdoor Ping Pong
Japanese Utensils
Cali Billboards
Ping Pong Stadiums
Retro Albums
Wood Fencing
Mayan Finds
Lifestyle Shops
Fenced Galleries
Pop Up Space
Outdoor Living

New Arrivals at Paris Hotel Boutique!


Summer is going by so quickly, isn't it? Actually we're still waiting for it to arrive here in San Francisco, as maybe you've heard about our wickedly cold summer months.

Paris Hotel Boutique is gearing up for a beautiful autumn season with an assortment of unique vintage items that you won't want to miss!

Some highlights include:

  • Vintage European Furniture
  • Art Deco Jewelry
  • Vintage French Cycling Trophy
  • Antique Love Token Bracelet
  • Large Vintage Hourglass
  • Oodles of Hotel Silver & much, much more!




images: Kassie Borreson, Haus Frau Fotografie

Monday, 13 August 2012

Dining Review: Trillium Haven Restaurant in Grand Rapids


Trillium Haven is the first restaurant venture for Jenison, Michigan farmers Michael VandenBrug and Anja Mast. Here's the review as published on MLive.com and the Grand Rapids Press:


The dining scene at any new local restaurant in Grand Rapids is always entertaining. There is a very good chance that you�ll recognize a familiar face in the crowd among those lucky enough to get a table.  You acknowledge each other as if you�re in the first class cabin while you savor the fact that you�re not one of those �economy-class� diners relegated to beg for the first available table while standing behind bar patrons as they swirl their luscious glass of Syrah in your face. We�ve all been there. The lesson
here is to call for a reservation and such is the case with dining at Trillium Haven restaurant.



There was definitely a lot of hype among the local foodie and organic circles surrounding the opening of Trillium Haven in Eastown. Most were big supporters of the Jenison, Michigan, CSA (Community Supported Agriculture) farm where the owners, Michael VandenBrug and Anja Mast, have been supplying local restaurants and patrons with produce since 2001.

Pork Belly
 I made our reservation about ten days prior to make sure our party of four could be accommodated given the expected outpouring of support for the restaurant during its opening phase. Our party included my wife, Elena, and our good friends Jay and Kathy, who accompanied us on my very first dining review last year.

A good friend of ours aptly described the interior of Trillium as an Anthropologie store without the furnishings and trinkets. The setting is lofty and loud despite the restaurant�s efforts to drape the acoustics with two, large, farm-style white sheets that cover the entire expanse of the feature wall. Warm back bar lighting invites guests to partake in its farm-to-glass concoctions while the open-kitchen serves as ground zero for the restaurant�s culinary creations.

A stretch of high-top tables form a communal table in the center of the dining room for those accustomed to Euro-style dining quarters or for those who relish on eavesdropping on other diners� juicy conversation. A triangular outdoor terrace adds a much needed scenery to this unattractive stretch of Lake Drive.

Beet And Fresh Goat Cheese Salad

Our server Patrick set the tone for what would be a very pleasant dining experience due to his charismatic skills as a conversationalist, knowledge of the menu, and unobtrusive style as a server. Even when tasked with a question he didn�t know (which single malt scotches were available), he was quick to seek guidance and respond in an intelligible manner.

He sold us on the specialty cocktails featuring herbs and vegetables from the farm � the surprisingly refreshing Beet Margarita ($8.5) and the Berry Mojito ($10) could have used a little dose of sweetness. I applaud Trillium for its small, yet, well thought of wine list, which is priced very fairly. We had a bottle of Spanish Rioja that was an exemplary example of a good Rioja versus the cheap, tongue-slapping Spanish crap served at most restaurants.

My first impression of the menu is that it was limited; especially due to the fact that all four of the communal offerings are room temperature dishes. There are seven entr�e selections but beef was obscurely missing from the list (besides being mixed in with pork on the meatloaf dish). The pricing on the list is fair except for the $25 meatloaf (second most expensive item) and the $5 mini desserts. Also, after a month since opening, I would expect the restaurant would have corrected every misspelling on the menu.

The highlights of our first courses were the Classic Kale Caesar ($10), the pickled and roasted Double Beet Salad ($10), and the Cornbread with house made honey butter ($3) that tasted just like grandma�s cornbread.

Chef Abby Therrien manning the line with her team


Jay and I loved the bits of crumbled garlic breadcrumbs in the Caesar that gave every fork full of kale a crunch. The use of olive oil sardines (instead of anchovies) in a Caesar is a first for me, and I must admit that it probably won�t be my last. Elena and Kathy found ethereal satisfaction in every component on the beet salad- from the way the goat cheese mellowed the smokiness of the pecans to the way the beets mingled harmoniously with the frissee and honey white balsamic. 

The Flatbreads at Trillium Haven are really more like pizzas for their plump crusts. Regardless of semantics, our entire table was sold on the house-made fennel Sausage Flatbread ($14) with wilted kale, caramelized onions, mozzarella and red sauce - which is as good as any specialty pizza found in Manhattan.

On the downside were the salty buckwheat noodles in the San Fran Spring Salad ($12) that I couldn�t even finish despite my penchant for salty foods, and the Smoked Whitefish Pate ($9) which garnered mixed reactions from the table. Two members of our group absolutely loved the pate while the other two were not necessarily impressed with the muted flavors of the whitefish. I almost choked on a fish bone when I was a child and visions of that dreary scene came back to me when I saw a long fish bone in the pate.

The Outdoor Terrace along Lake Drive
Ask any restaurant owner and chef and they�ll be the first to tell you that having an open kitchen has its disadvantages; mainly that your performance is under the watchful eye of every aspiring cook in the dining room. I marveled at how sous chef Abby Therrien manned the hotline on this evening along with the assistance of another cook. I lost count of how many steaming dishes came off that line but they sure made it look as effortless as possible. 

The best dishes among our entr�e selections were the Fresh Vegetable Lasagna ($16) and the Pastured Lamb Ragu ($25). The free-form lasagna with farm egg pasta layered with wood-roasted vegetables, melted mozzarella, goat cheese and a mellow scape pesto was a carnivore�s vegetarian delight. The lamb ragu with eggplant, okra, tomato fondue and fresh corn polenta was tender and flavorful which reminded me so much of the lamb tagine at my favorite Moroccan restaurant in Paris, Le 404.

The portion on the Pan Roasted Harrietta Hills Trout ($26) was barely visible underneath the mound of sorrel, carrot, garlic scape verde, Napa & red cabbage. While it was seasoned just right, a little more pan vinaigrette would have made the dish more luscious.

The Heritage Pork and Succotash ($22) offered this evening was pork belly.
While the skin of the belly was cooked to a crackling golden brown, the rest of the belly could have used some additional time in the oven. The overall dish itself is spectacular in appearance � with summer vegetables, brown rice, molasses and tamari broth.

Desserts are intended to be sinful and decadent; the exclamation point to a memorable meal. A slice of homemade carrot cake in a local cafe could be as delightful as the Milk Chocolate Dacquoise at Daniel�s in New York City. This moment of euphoria, unfortunately, never occurred with our small and ordinary jar of Blueberry Crisp ($5) or with the Panna Cotta ($5). 

You couldn�t find two more passionate locavores than Michael and Anja � and it�s critical to keep this in mind before visiting Trillium Haven given the normal expectations from diners in the area. Anja was making her rounds in the restaurant when she had told our table that the menu would always evolve to what�s available on the market. In the case of the beef, they have yet to find a farmer who produces a product that meets their specifications. You can count on me to order the beef dish when Michael and Anja have given their stamp of approval to a local farmer. Until then, I�m happy with the meatloaf. Please pass the ketchup.

IF YOU GO
Restaurant: Trillium Haven
Where: 1429 Lake Drive, Grand Rapids, Michigan 49506
Hours:            Tuesday to Thursday 4pm to 11pm
                        Friday & Saturday � 4pm to 12am
When we dined: Saturday, July 28, 2012
Wait to be seated: within 5 minutes
Wait for food to arrive: 9 minutes
Dress code: Casual
Sound Level: Loud in the main dining room. Conversation is more conducive outside in the terrace.
Parking: Parking lot behind the restaurant or street parking
Price range: $3.00 to $26.00
Credit cards: All major credit cards accepted
Recommend: Tuscan Kale Caesar, Sausage and Mushroom Flatbreads, Fresh Vegetable Lasagna
Drinks and Wine: farm-to-glass cocktails, wide selection of local and imported beers, small but well thought of wine list with reasonable pricing.
Reservations: 616.301.0998 (highly recommended)
Call them: 616.301.0998
Connect: trilliumhaven.com (connects to farm website � but lacks information about the restaurant).
Call us: Know a great place to dine out? Email weekend@grpress.com or call The Press Entertainment department at 222-5291.



Sausage Flatbread
Harrietta Hills Trout
Lamb Ragu
Vegetable Lasagna
Inside the dining room

Happy Monday + Heads Up!


Yearning for Paris??

You don't have to travel far, as tomorrow Paris Hotel Boutique showcases our new arrivals! Lots of new pieces will be available for purchase at 7:30 am PST/10:30 am EST.


I'll give you another 'shout out' tomorrow morning!

Until then, have a most wonderful week!


Review : The Corridor (2010/2012)

 

Director:

Evan Kelly

Stars:

Stephen Chambers, James Gilbert and David Patrick Flemming

If any further proof were needed that low-budget, independent cinema is the breeding ground for intelligent and unique horror, THE CORRIDOR should put all lingering doubts to rest and seal the deal once and for all. What will understandably first appear as yet another cheap exploitation flick very quickly subverts all expectations and rises above the crowd to become one of the most thoughtful, disturbing and resonant horror films in recent years.

The plot, going in, feels bare bones and time-worn....a group of lifelong friends are invited to a remote cabin in the woods by one of their number; an estranged friend who, one year previous, went a little insane after watching his mother die, and struck out violently at his friends as they tried to help him. The friends all arrive at the cabin to find their old buddy awaiting them, and as the already fragile groups distrust in their once beloved companion increasingly fractures, blood begins to flow....

Sounds like standard slasher fare, right? Well, THE CORRIDOR uses this simple set-up as a jumping point for a tale that goes to some very dark, completely surprising places. Its a film made crafted with skill, intellect and poise.

Wisely building on the tentative attempts at reconciliation as his conduit for tension, director Evan Kelly and writer Josh MacDonald create a slow burning sense of unease, paranoia and miscommunication between the five man group as they attempt to reconcile their bonds and lay to rest the traumatic events that have so deeply damaged their dynamic. The horror elements take a back seat to character building, emotional resonance and insight into who these guys are and where they're at for at least half the movie, and it works wonderfully. The inherent sense of danger in the immediate circumstances are only heightened with the discovery of the eponymous 'corridor', yet when the supernatural elements enter into the fray, the focus remains firmly on the men.


Without giving too much away, the guys discover something in the woods that defies explanation, and as wonder turns to obsession, each mans weakness', insecurity, regret and internal hostility towards the others is brought to the fore, leading up to a bloody, brutal finale that will hit the viewer in the gut as well as in the cerebral cortex.

The corridor itself makes for a perfect foil with which to explore themes of identity, masculinity and greed, as MacDonald's often excellent writing and the casts top notch performances ground the supernatural elements in the real world. The budgetary restrictions that would drag down most small projects are deftly alleviated as the real horror is all human. The entity/enigma that so transforms and transfixes the group has a similar effect on the viewer in that it demands thought, coherency and understanding.

Indeed, there are many ways to interpret the events that take place in THE CORRIDOR. Its a film that allows for much debate and theory-slinging. I myself was torn as to how I interpreted the entity, and have bounced between ideas and concepts since my second watch. It could be that what we're witnessing the the deterioration of a singular spiritual universe, (that of one of the group), or it may be something as simple as a powder-keg atmosphere exploding into violent life as disillusioned lives and long-buried resentments finally break the surface of the psyche. Perhaps the corridor represents the often endless search to attain our hopes and dreams, and illustrates just how damaging the search, (and the lack of attainment) may ultimately become. Each viewer will find their own reasoning or understanding, and that's what makes THE CORRIDOR so satisfying. Its a great ensemble piece and a genuinely frightening horror film, but it accomplishes something much more important, it breeds thought at every turn.


For instance, much talk is made of the corridor reaching 'the city'. Now, on first impression, this could simply mean that the corridor itself is expanding, reaching out and searching for new victims; yet on deeper contemplation, I came to regard the 'city' as being perhaps a celestial locale and that the group were possibly being drawn from out physical realm into a greater and more profound understanding of the infinite universe; one in which flesh and mortality were trifling ideas.  On the other hand, as the corridor is discovered in the remote, (and beautiful) woodlands of Nova Scotia, and the men had all travelled from a city, (where, crucially, none of them were content with their lives), perhaps the corridor was the inescapable pull of their 'normal' lives, drawing them back into the fold, and corroding their sanity as it did so.

I could go on for hours. THE CORRIDOR does what so few films manage these days. It turns the gears of the mind, and challenges the viewers perceptions in a way that's accessible and engaging, while never losing sight of the fact that at its heart, its about the tragic destruction of friendship. It really should find its audience. Films this unique should be held high as examples to those who believe horror is lowest common denominator cinema. The genre was built on intelligence, and while it loses sight of its original intent far too often, there are still some artists out there holding the fire, and blazing their own trails for all its worth. Bravo to all involved.

9 Universal Minds out of 10



Sunday, 12 August 2012

Editorial - The Greatest Christopher Lee Performances


As a card-carrying Hammer Horror obsessive, I'm no stranger to the mighty Christopher Lee. Known to many as the quintessential Dracula of their generation, and known to other of a younger brand as the devious Saruman of THE LORD OF THE RINGS TRILOGY, Lee has wore many guises. He's been in more sword-fights onscreen than any other actor, and has played everything from Rasputin the Mad Monk to James Bond's nemesis. In short, the mans a legend.

These are my picks, in no particular order, for some of his greatest characters. I'm focusing on Lee's performances, and the impact he made on me personally in these roles. I don't pretend to have seen anywhere near all of the mans cinematic output, so don't be angered if I missed out some greats, (as I'm sure I have). Feel free to agree, disagree, rant and rave, but remember this is my own personal selection, for reasons of my own. Enjoy..


Lord Summerisle - The Wicker Man (1973)


Considered by Lee himself as his finest work, his Lord Summerisle is chillingly matter-of-fact about his communities philosophies and actions. The ease with which he brushes off Edward Woodward's desperate attempts to locate a missing, possibly dead girl is squirm-inducing. Watching Lee prance around in a dress holding some huge garden shears is a nightmarish vision indeed, and his hair has never been scarier.
 
Count Dracula - Dracula, Prince of Darkness (1966)


No matter what the quality of the film, Lee has always brought his Dracula to vivid life. he was robbed of the chance to prove his eloquence by a host of scripts that treat the vampire as a silent monster as opposed to the dark romantic of Stoker work, but he brings a predatory menace to the role that is animalistic, poised and sexual.

Prof. Karl Meister - The Gorgon (1964)



Basing his looks on Albert Einstein, Lee is at his affable best in this role. Its something of a departure for the usually strident, dominating figure, and is all the more refreshing for it. He plays the compassionate professor every bit as well as he plays the cold-hearted vampire.

Kharis - The Mummy (1959)


 With no dialogue and under a ton of wonderful make-up, Lee really had his work cut out delivering a performance that was anything other than a special effect in this classic Hammer film. With only the inherent menace of his stature, and his hypnotic eyes, he manages to infuse the shroud-wrapped bad guy with pathos, pain and pity. While never being less than terrifying.

Saruman - The Lord of the Rings (2001-2003)


Bristling with power yet wreathed in cowardice; Lee got the chance to live out his lifelong dream and star in an adaptation of Tolkien's mighty tome.It's hard to imagine anyone else playing the fallen wizard. He dominates the screen in every scene he's in, and no matter how much visual splendour is going on around him. A quintessential villain.

Sir Henry - The Hound of the Baskervilles (1959)


Lee jumped at the rare chance to play the romantic lead in one of Hammers finest films. As Sir Henry, he gets to lust after the lady and show his natural grace, but he's rubbish in a fight, (against dog or spider). Its a joy to watch such an imposing figure play such an endangered character. 

Duc De Richleau - The Devil Rides Out (1968) 


 If I had to chose, this would be my favourite of his roles. as De Richleau, Lee is hero, saviour, friend and leader. He brings a sense of compassion and intelligence to his role here that outshines the many great performances the film holds. As the sage-like wise warrior battling the very Devil himself, he;s fragile, head-strong, determined and unswervingly on the side of good. An amazing performance.

Franscisco Scaramanga - The Man with the Golden Gun (1974)


As a kid, seeing Dracula face off to bond was something of a terrifying experience for me. His cold, calculated take on the Bond villain was miles from those that had come before. Here was a guy who you actually believed could kill 007. Bond never got this slick again. The man is a bad-ass.

M R James - Ghost Stories for Christmas (2000)



Putting that wonderfully rich voice to fine use, Lee narrates a selection of classic ghost stories by the great M R James, and channels the man while he's at it. On a cold winters night there's nothing quite like pouring yourself a malt wine, dimming the lights and listening to a screen master read from a literary master. Chilling, eerie and somehow soothing, these are the perfect bedtime tales for those long winter nights.



Horror Hotel Cinema - The Hideous Sun Demon (1959)



Its beautiful here in Scotland at the moment, and as that's something that happens as often as a politician telling the truth, I figured I'd post the first of this months classic cult movies, THE HIDEOUS SUN DEMON.

I first came across this movie fifteen years ago, while reading a coffee-table book on Cult Horror. The article, and in fact, the book, were sub-par, but there was a picture of the films protagonist in there in full costume and make-up, standing under the rays of the burning sun in all his hideous, lizard-like glory. Looked cool, but what really sold it was the piss-stain on his pants. Now that's attention to detail right there!

Here's the picture, folks. Classic cinema...


There's little more need be said. Its got a sun demon, he's hideous, and he has some wicked pants, (though shorts would be far better in that burny old sun). Its time you watched it already.....